Do you like this poet? I told my wrath, What can it mean? Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.
The Era of Romanticism: Following the Age of Reason, it took upon itself methods to explore true meanings of things absent logic, as with finding true beauty in nature.
With the increase of population, and tools to aid in the growth of literacy and education, there came this era with severe thought seeking truths, stimulation of one's imagination and individualistic freedom of expression. The Romantic period was all over the shop, so to speak, with the desire to be attuned with nature, to explore through experience and then to be returned to some dim room somewhere for the recollection of thought with pen and paper.
It was also about individualism and self-expression; an era with a loud voice and urgency, denouncing that logic explains everything. The era was a resurgence of thought being influenced by major changes involving social issues, the role of the economy with industrialization and the political aftermath of the French Revolution.
What was to evolve was a symphony of language, a language with passion--a language on fire. It is formed by a voluntary appropriation of fixed symbols to internal acts, to thought processes and results of imagination, the greater part of which have no place in the consciousness of uneducated man; Coleridge held the belief that a man who was uneducated and unsophisticated would have had a limited source of language to unfold from his thought process which was not as developed as one who was educated or experienced in a "civilized society.
He wanted his child to experience nature in ways he was not otherwise afforded. It thrills my heart With tender gladness, thud to look at thee, And think that tough shalt learn far other lore And in far other scenes!
For I was reared In the great city, pent 'mid cloisters dim, And saw nought lovely but the sky and stars. But thou, my babe! Shalt wander like a breeze By lakes and sandy shores," Coleridge is saying that he was not so surrounded with nature, as he might have otherwise desired, but that his child would not be without that experience.
Williams Wordsworth William Wordsworth William Wordsworth had a different approach to the "rustic life. He wanted his readers to have the ability to relate to what he was saying.
Coleridge did not agree with what Wordsworth endorsed by way of being attuned to the rustic or common life.
Wordsworth, however, grew up with nature. In Wordworth's It is a beauteous evening, he writes: The mighty Being is awake, And doth with his eternal motion make A sound like thunder - everlastingly.
Wordsworth described this event as being so serene, so uninterrupted with unwanted noise, and yet all the sounds of nature therein made it a religious experience. He was so moved by the event that he could memorialize it so effectively into his own language.
He knew nature, whereas Coleridge, perhaps, had to take his awareness of nature one step further by way of imagination. Nature and experiencing nature was a major ingredient to the era of Romanticism.
William Blake William Blake William Blake was a spiritualist and lover of nature and was one who was all about "seeing" versus one who was not. This "seeing" or raising one's level of awareness as well as experiencing were additional ingredients to the Romanticism era.
Blake's Songs of Innocence presented us with language representative of sight through the eyes of a child. His Songs of Experience, then, represented his view that one must experience to see and that experience, too, can corrupt people, thus taking away the child's innocence.
Blake clearly had a vivid imagination, noteworthy of this era.
Songs of Innocence and Songs of Experience depict a popular polarization, as did his piece of The Marriage of Heaven and Hella firm collection of thought.
Good is the passive that obeys Reason. Evil is the active springing form Energy. Blake subscribed to his own writing method, dispensing with the conventional methods of the previous Age of Reason.
He utilized his own individualistic view with the use of his own design, which involved his creative abilities of thought and imagination. He deployed his spiritual beliefs and love of nature in his works.
He was interested in the ways people used their respective thought processes as well as the manner in which they acted.William Blake (28 November – 12 August ) was an English poet, painter, and printmaker.
Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic attheheels.com he called his prophetic works were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of.
Romantic literature in English Jump to The Romantic period was one of major social change in England, because of the depopulation of the countryside and the rapid development of overcrowded industrial cities, that took place in the period roughly between and The poet, painter, and printmaker William Blake (–) was an.
William Blake is considered a marginal member of the early Romantic movement.. The Romantics wrote with many of the following characteristics in their work: a return to nature; idealization of.
William Blake's significance in the Romantic movement came late in the 19th century, after what is officially considered the Romantic period.
William Blake’s position in the Romantic Movement can be considered nothing short of a leading author and a key source of passion. In keeping with Romantic concepts such as the emotions of awe, terror, and horror, Blake painted powerful pictures of nature and God.
Search in the poems of William Blake: an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.